Le Rà seau Canadian Pour La Santà Des Femmes

શાશ્વત સંદેશ માંથી
દિશાશોધન પર જાઓ શોધ પર જાઓ

By using visionary fiction as a blueprint for cosmic liberation, these futurisms are revolutionary acts of resistance to the whitewashing of western media. The impulse is no different from the current widespread use of Occupy Movement’s imperative to "take up space" on sites of tension to demand change. Occupy Spacetaps into other-worldly imaginaries to address the social reality of Canadian diversity.
After spending some time with Zinta and https://raisons-sociales.innovationsocialeusp.ca/ watching her rock the stage live, so would I.It’s pure, concentrated, madcap lunacy that can’t ever be predicted and God damn, do you love it for that.Wilhelm has previously worked as an independent strategist, advising executive teams at organizations such as Banff Centre for Arts and Creativity, the National Arts Centre, City of Toronto Economic Development and Culture, and the National Gallery of Canada.Anyone who has had the pleasure/horror of attending one of the terrible twosome’s parties can only help but wonder if such glorious madness can exist off the island of Montreal or if it will just crumble into sparkly dust like a unicorn no one believes in.What made Hubley’s story all the more heartbreaking, though, was that he documented his depression online in the weeks leading up to his suicide.
Charlie Wall-Andrews is a Trudeau Scholar, music industry leader, and faculty member at the University of Toronto. In her role as Executive Director at SOCAN Foundation, she established many programs such as the Creative Entrepreneur Incubator and Equity X Production Development Program which prepares artists to turn their passion and talent into a sustainable career. She is a Ph.D. student in Management at Ted Rogers School of Management, where she specializes in strategy, innovation, and entrepreneurship and conducts research at the Diversity Institute at Ryerson. She is on the Board of Directors of WorkInCulture, and TELUS Community Investment Board, and is the inaugural Vice-Chair of Music Canada’s Advisory Council. In 2019, she was appointed a global Legacy Fellow for the Ariane de Rothschild Fellowship, a prestigious initiative of The Edmond de Rothschild Foundations. Charnjot Shokar is a Communications professional who has been working as a Researcher for the Communications Governance Observatory since 2017.
Festival À La Maison: Recipes
Ayanna Blackwas a fierce defender of Black Canadian culture and its production and dissemination. She believed we as Black Canadians have stories to tell about ourselves and relentlessly created spaces in which we could celebrate our joys. Although eyewitness accounts cite black, trans activist Marsha P. Johnson as the instigator of the riot, the trailer for Stonewall seems to give a fictional, white, cisgender character named Danny with a key role in starting the riots. UN/FREEZE is a 3-D installation that Kama La Mackerel created in November 2016 through an interactive 3-hour durational performance piece.

The varied works and strategies deployed by the five Concordia students presented here, feature diverse voices that critique narrative as a "discursive reproduction of power, abuse and social inequality."" Rather, they express negotiations of the struggle to articulate cultural identities. The Ethnocultural Art Histories Research Group is proud the group exhibition Canada 389, featuring the work of four artists who engage with complexities of commemoration, race and ethnocultural representation in Canada. This exhibition seeks to expand our understanding of diversity and national identity by addressing histories of inclusion and exclusion in the realm of what constitutes the nation state in the public imaginary. Artists selected to perform in the Duration & Dialogue II Performance Arts Festival will be paid a small honorarium for their participation. All production costs are the responsibility of the artists; however, the gallery will offer its resources as available. The aim of this issue is to draw out the potential for creatively re-imagining the maternal found in performance and to locate the maternal within the discipline of performance studies. This issue builds on the three research gatherings convened by Šimić and Underwood-Lee that took place at the Institute for the Art and Practice of Dissent at Home, Edge Hill University, Ormskirk, Lancashire and University of South Wales in spring 2016.
Giving Birth To Yourself: Poems For Combat Is Launching In Montreal This Week!!
Social media algorithms are the focus of my PhD research, yet I didn’t notice my own algorithmic bias. Personally I circulate stories that my friends would read – Asian solidarity with Black protests, queer zoom party links, dystopic self-reporting app conspiracies. This one day festival at the Japanese Canadian Cultural Centre has food, dance, martial arts performances, and lots of Japanese goods for sale.

I explore ancestral loss— as the loss of bodies, histories, cultures, languages, genders, knowledge systems and spiritual practices— in order to rewrite the marginalized and silenced voice in contemporary contexts of global imperialism. I draw from the past to interrupt the present, and offer possibilities of being for future, as a "reacquisition of power to create one’s own i-mage" . Kama has exhibited and performed their work internationally and their writing in English, French and Kreol has appeared in publications both online and in print. ZOM-FAM, their debut poetry collection published by Metonymy Press was named a CBC Best Poetry Book, a Globe and Mail Best Debut, and was a finalist for the QWF Concordia University First Book Award and the Writers’ Trust of Canada Dayne Ogilvie Prize for Emerging LGBTQ2S+ Writers. Every winter since 1970, Saint-Boniface, Winnipeg’s French quarter, is transformed into a winter paradise and becomes host to the largest winter festival in Western Canada.

During this time, Kama has worked on several creative and research projects each exploring the potential of artistic practices as resistance to colonial violence. since 1990 where he operates his production company Northlight Pictures and continues his visual arts practice. In addition to her art practice Devine is an associate professor and the Founding Chair of the Indigenous Visual Culture program at OCAD University. MAAIINGAN Productions led by David Shilling is an Indigenous web-developer, video production company, graphic design firm, and online publisher of MUSKRAT Magazine. MAAIINGAN began working with Uncover/Recover from late fall 2017, recording the project for an upcoming documentary video. MAAIINGAN took on the task of managing the convergence of many disparate components and media onto one complex website. They worked with us tirelessly to put the site together, helping us to stay on target and keeping the project moving forward through the many challenges we faced along the way. We are grateful that they always kept their cool during the production of this multi-faceted project.

My Body Is the Ocean is a collection of lyric poems that braid together voices across lineages of Mauritian women, femmes, spirits and goddesses. Seeking healing from the trauma of plantation heritage, Kama La Mackerel uses her poetry to find new languages of love with which to repair the severed relationships of her family and her ancestries. Oscillating like waves between ocean & island, past & present, childhood & adulthood, rage & forgiveness, family history & colonial history, My Body Is the Ocean is a painful yet celebratory journey into a trans femme identity that refuses to be defined and confined to colonial gender narratives. Wendy Whaley received an MFA in Interdisciplinary Art Media and Design from OCADU in 2018 where she originally graduated from New Media / Integrated Media in 1996. Wendy has spent the past 20 years in the visual effects end of the film industry where she has worked at some of the top companies, including IMAX, Digital Domain, Cinesite UK, Relativity Media and many others.
Performance, Art, And Parties At The Qouleur Festival
In 2008, Kama moved to Canada where they completed an MA in Theory, Culture and Politics at Trent University while training in physical theatre with Theatre Korzenie. My life’s work emerges from a concern for justice and an imperative to heal from colonial pasts. I reimagine and reformulate languages of the self in order to offer "a countermemory, for the future" .